Join us on Thursday, October 14th at 4PM on Zoom for a presentation by Dr. Dwandalyn Reece!
Please join the Society for Musicology in Lindsay Recital Hall on February 20th from 4:00 to 5:00pm for “The Notation Does Not Tell Us All.”
About the presenters:
Barthold Kuijken (born 8 March 1949, Dilbeek) is a Belgian flautist and recorder player, known for playing baroque music on historical instruments and particularly known for pioneering this manner of performance with his brothers, cellist and viol player Wieland Kuijken and violinist Sigiswald Kuijken and the harpsichordist Gustav Leonhardt.
He studied the modern flute at the Bruges Conservatory and the Royal Conservatories of Brussels and The Hague. For playing early music he originally turned to the recorder. Research on authentic instruments, frequent collaboration with various flute and recorder makers, and assiduous study of sources of the 17th and 18th centuries helped him to specialize in the performance on original instruments.
For many years he played in the baroque orchestras Collegium Aureum and La Petite Bande. He plays chamber music concerts all over the world, extending his repertoire to early 19th-century music and has recorded extensively.
He teaches baroque flute at the Royal Conservatories of Brussels and The Hague. He is currently the artistic director of Indy Baroque based in Indianapolis, IN.
Patrick Merrill completed his Master’s degree in harpsichord performance at the Peabody Conservatory of the Johns Hopkins University in 2015 under Dr. Adam Pearl. In 2016, he won second prize at the eighth Mae and Irving Jurow International Harpsichord Competition. As a harpsichordist, Mr. Merrill has participated in masterclasses with Davitt Moroney and Trevor Pinnock on antique instruments, served as accompanist at the Amherst Early Music Winter Workshop and the Oberlin Baroque Performance Institute, and coached ensembles for Capitol Early Music. His continuo work includes appearances with Pennsylvania Philharmonic, the Washington Chamber Orchestra, the Bach in Baltimore series, the Salisbury Symphony Orchestra, and the Annapolis Symphony Orchestra. Mr. Merrill also serves on the faculty of the department of music at the George Washington University and Baltimore School for the Arts. He is currently pursuing a Doctorate of Musical Arts in harpsichord performance at Peabody, for which he is a recipient of the Peabody Dean’s DMA Fellowship. Mr. Merrill is the harpsichordist of the Baltimore-based early music ensemble S’amusant.
Please join the Society for Musicology in welcoming Dr. Yaba Blay to the Florida State University College of Music. Dr. Blay will give a lecture entitled “Black Joy as Resistance: Why I Do What I Do.”
Date: March 5th, 2020
Location: Dohnányi Recital Hall, 122 N. Copeland St., Tallahassee, 32304.
The lecture is free and open to the public.
About Dr. Blay:
Dr. Yaba Blay is a professor, producer, and publisher. As a researcher and ethnographer, she uses personal and social narratives to disrupt fundamental assumptions about cultures and identities. As a cultural worker and producer, she uses images to inform consciousness, incite dialogue, and inspire others into action and transformation.
Dr. Blay received her BA in Psychology (Cum Laude) from Salisbury State University, M.Ed. in Counseling Psychology from the University of New Orleans, and M.A. and Ph.D. in African American Studies from Temple University with a Graduate Certificate in Women’s Studies. She is currently co-Director and Assistant Teaching Professor of Africana Studies at Drexel University. Dr. Blay is also the publisher and editor-in-chief of BLACKprint Press.
Recently named to The Root 100 (2014), an annual list of top Black influencers, Dr. Blay is one of today’s leading voices on colorism and global skin color politics. Her commentary has been featured on CNN, MSNBC, NPR, Ebony Magazine, The Philadelphia Inquirer, The Root, Huffington Post Live, Colorlines, Al Jazeera America and elsewhere. Her book, (1)ne Drop: Shifting the Lens on Race, explores the interconnected nuances of skin color politics and Black racial identity, and challenges narrow perceptions of Blackness as both an identity and lived reality. In 2012, she served as a Consulting Producer for CNN Black in America – “Who is Black in America?” – a television documentary inspired by the scope of her (1)ne Drop project. In addition to her production work for CNN, Dr. Blay is producing a transmedia film project focused on the global practice of skin bleaching (with director Terence Nance); and has co-written a feature-length film entitled Black Sunshine (with director Akosua Adoma Owusu).
See also Dr. Blay’s website, http://www.yabablay.com.
Please join the Society for Musicology in the Kuersteiner Building, Room 340 on Thursday, November 21. Dr. Ravi Howard, Assistant Professor of English at Florida State University, will deliver a lecture entitled “Straight Ahead and Strive for Tone.”
Dr. Ravi Howard received the Ernest J. Gaines Award for Literary Excellence in 2008 for the novel Like Trees, Walking, a fictionalized account of a true story, the 1981 lynching of a black teenager in Mobile, Alabama. Howard was a finalist for both the Hemingway Foundation/PEN Award and the Hurston-Wright Legacy Award for Debut Fiction in 2008.
He has recorded commentary for National Public Radio’s All Things Considered, and his work has appeared in The New York Times, Massachusetts Review and Callaloo. He also appeared in the Ted Koppel documentary, The Last Lynching, on the Discovery Channel. Howard has received fellowships and awards from the National Endowment for the Arts, Hurston-Wright Foundation, Bread Loaf Writers’ Conference, and the New Jersey State Council on the Arts.
His television production work has appeared on HBO, ESPN, Fox Sports 1, and NFL Network. He received a 2004 Sports Emmy for his work on HBO’s Inside the NFL.
Dr. Grymes will give a lecture co-hosted by the Holocaust Education Resource Council of the FSU College of Social Work and the FSU Society for Musicology on Thursday, October 10th, 2019, from 4-5pm in Longmire Recital Hall. The lecture is titled “‘Although Music Here is Chronic, Many Lives are Disharmonic’: Cabaret Songs as Discord to the Harmonizing Narrative of Theresienstadt.”
Please join us for this event!
About Dr. Grymes:
James A. Grymes is an internationally respected musicologist, a critically acclaimed author, and a dynamic speaker who has addressed audiences at significant public venues such as Weill Recital Hall at Carnegie Hall, the American Israel Public Affairs Committee (AIPAC), and the historic 16th Street Baptist Church in Birmingham, AL. Dr. Grymes has been featured in interviews by the New York Times, ABC News, and CNN, and has written essays for the Huffington Post and the Israeli music magazine Opus.
He is the author of Violins of Hope: Instruments of Hope and Liberation in Mankind’s Darkest Hour (Harper Perennial, 2014). A stirring testament to the strength of the human spirit and the power of music, Violins of Hope tells the remarkable stories of violins played by Jewish musicians during the Holocaust, and of the Israeli violinmaker dedicated to bringing these inspirational instruments back to life. Violins of Hope won a National Jewish Book Award.
Dr. Grymes is Professor of Musicology at the University of North Carolina at Charlotte. He is represented by John Rudolph of Dystel, Goderich & Bourret.
For more information, see http://www.jamesagrymes.com/about-james-a-grymes/.
Please join the Society for Musicology in welcoming Dr. Mark Anthony Neal to the Florida State University’s College of Music! On Thursday, September 26, from 4:00-5:00pm in the Longmire Recital Hall (LON 201), Dr. Neal will be presenting a talk entitled “‘I’ll Be a Bridge: Black Interiority, Black Invention and the American Songbook.” A reception will follow the talk, which is free and open to the public.
About Dr. Neal:
Mark Anthony Neal is Chair of the Department of African & African American Studies and the founding director of the Center for Arts, Digital Culture and Entrepreneurship (CADCE) at Duke University where he offers courses on Black Masculinity, Popular Culture, and Digital Humanities, including signature courses on Michael Jackson & the Black Performance Tradition, and The History of Hip-Hop, which he co-teaches with Grammy Award Winning producer 9th Wonder (Patrick Douthit).
He also co-directs the Duke Council on Race and Ethnicity (DCORE).
He is the author of several books including What the Music Said: Black Popular Music and Black Public Culture (1999), Soul Babies: Black Popular Culture and the Post-Soul Aesthetic (2002) and Looking for Leroy: Illegible Black Masculinities (2013). The 10th Anniversary edition of Neal’s New Black Man was published in February of 2015 by Routledge. Neal is co-editor of That’s the Joint: The Hip-Hop Studies Reader (Routledge), now in its second edition. Additionally Neal is host of the video webcast Left of Black, which is produced in collaboration with the John Hope Franklin Center at Duke. You can follow him on Twitter at @NewBlackMan.
Associate Professor Dr. Sarah Eyerly will be speaking at Mission San Luis on 5 September about the musical and sonic history of the site as part of their lecture series.
Thursday, 9/5, Reception 6:00 pm, Lecture 6:30-7:30 pm
“Join us for the first presentation in our 2019-2020 Series on Colonial Sounds: The Influence of Native and Spanish Music on America.
“Musicologist Sarah Eyerly will explore the history of Spanish and Apalachee musical traditions at Mission San Luis, offering new insights into methods for resounding and repatriating the intangible cultural heritage of this complex and important historical site. Through historically informed recreations of the soundscapes of Mission San Luis, Dr. Eyerly will demonstrate how sounds—musical and non-musical, human and non-human—shaped daily life and religious culture for Spanish and Apalachee people living at the Mission.”
Please join us this Thursday as we welcome Dr. Carolyn Philpott, Senior Lecturer in Musicology at the University of Tasmania’s Conservatorium of Music and Associate Head, Research for the School of Creative Arts. She is also an Adjunct Researcher at the University’s Institute for Marine and Antarctic Studies (IMAS). Her research interests include Australian music and intersections between music, place and the environment, especially music composed in connection with Antarctica. She has published her research in high-quality musicology and polar studies journals, book chapters and encyclopaedia entries, and has presented at conferences, workshops and guest lectures in the UK, Europe, the US, South America, Asia and Australia. Her monograph, Composing Australia: Nostalgia and National Identity in the Music of Malcolm Williamson, was published by Lyrebird Press (University of Melbourne) as part of its Australasian Music Research series in 2018. She is currently co-editing (with Associate Professor Matt Delbridge, University of Melbourne, and Associate Professor Elizabeth Leane, University of Tasmania) a volume titled Performing Ice for publication by Palgrave Macmillan.
Dr Carolyn Philpott has lectured in music history, theory and musicology at the University of Tasmania’s Conservatorium of Music since 2007 and has held a fulltime teaching and research position since early 2012, when she was awarded an Early Career Development Fellowship. Her PhD dissertation, completed in 2010, focused on the projection of an Australian identity in the music and persona of expatriate composer and Master of the Queen’s Music, Malcolm Williamson (1931–2003). In addition to publishing a monograph related to this research, Composing Australia (Lyrebird Press, 2018), she has published several journal articles on Williamson’s music, as well as contributed to the entries on the composer in the international music encyclopaedias Die Musik in Geschichte und Gegenwart (2007) and Grove Music Online (Oxford Music Online, 2014).
Alongside her research on Australian music, Carolyn has published numerous articles and book chapters on music and soundscape-based compositions produced in connection with Antarctica, including in highly ranked musicology, historical studies and polar studies journals. She has presented her Antarctic-related research in the UK, Europe, the US, South America, Asia and Australia and is a regular contributor to the Bachelor of Antarctic Studies program run by the Institute for Marine and Antarctic Studies (IMAS), where she holds the position of Adjunct Researcher. Her forthcoming co-edited collection Performing Ice (with Associate Professor Matt Delbridge, University of Melbourne, and Associate Professor Elizabeth Leane, University of Tasmania) will be published as part of Palgrave Macmillan’s Performing Landscapes series.
Carolyn has received awards for both her teaching and research, including a Vice-Chancellor’s Citation for Outstanding Contributions to Student Learning in 2014, and the 2016 Vice-Chancellor’s Award for Outstanding Research Performance by a New Researcher.
In addition to her commitments at the University, she has published more than 170 concert reviews, mostly in the Mercury (Hobart) newspaper, and regularly presents pre-concert talks as part of the Tasmanian Symphony Orchestra’s Master Series.
Dr. Philpott’s presentation will take place this Thursday, April 11th at 4 p.m. in HMU 125. Her talk is titled “Listening At the End of the World: Compositions Based on Soundscape Recordings of Antarctica.” We look forward to seeing you there!
The Society for Musicology is proud to announce the 2019 Undergraduate Music Research Symposium. The event will take place on Saturday, April 13th from 9:30 a.m. – 4:00 p.m. in KMU 304. Attendance is free and open to all! Please register ahead of time by clicking here. Come support our hard-working and brilliant undergraduate music majors!
The Society for Musicology at Florida State University
The Sixth Annual
Undergraduate Music Research Symposium
Saturday, April 13, 2019
Kuersteiner Music Building 340
Schedule of Events
8:45 A.M. Registration, Light Breakfast (KMU Lounge)
9:25 Opening Remarks: McKenna Milici
President, Society for Musicology
9:30 – 10:30 Session I: Exploring Identity
Chair: Aisha Gallion
“Contextualizing the Relationship Between Prosocial and Antisocial Themes in Popular Black Social Dances”
“‘Amos Said That You Loved Music’: The Musical Portrayal of Sandra Bloom in Big Fish”
“Societal Attitudes About Deaf Musicians: Social Implications of Ludwig van Beethoven’s Deafness”
10:30 – 10:45 Coffee Break
10:45 – 11:45 Session II: Traditions and Transformations
Chair: Ryan Whittington
“Nice Technique: Insight into the Composing Styles of Keith Emerson in The Nice”
Daniel Keough Williams
“A Discussion on the Effects of Howard Hanson’s Romantic Symphony on Twentieth-Century Listeners and Beyond”
“Eroica and the Disorienting Human Experience: A Psychological Approach”
11:45 – 12:45 Break for Lunch
12:50 – 1:30 P.M. Session III: Facing the Challenges
Chair: Haley Nutt
“Sustainability Issues Affecting the American Symphony Orchestra Business Model”
“Music of the Resistance”
1:30 – 1:40 Break
1:40 – 2:40 Session IV: Style and Influence
Chair: Bailey Hilgren
“The Evolution of Steve Reich’s Compositional Style”
Eric Douglas Meincke
“Emulation of Birdsong through Motive in Piccolo Repertoire”
“Piazzolla: Nuevo Tango, Globalization, and Argentina’s Musical Identity”
2:40 – 2:50 Break
2:50 – 3:30 Session V: Untold History
Chair: Nate Ruechel
“Flat-Out Loud: A Soundscape of the Black Death”
“Tactic and Tune: Fife and Drum Corps in the American Revolutionary War”
3:45 Announcement of Paper Prize
Panel Chairs and Mentors
Paper Prize Committee
With a long-standing reputation as one of the premiere music institutions in the nation, the College of Music is a vital component of the Florida State University community, offering a comprehensive program of instruction and serving as a center of excellence for the cultural development of the state.